Risk Management Processes Project Management - 780 Words

Risk Management: Processes In project management, a ‘process’ is a series of steps taken to get from point A to point B while, ‘risk’ identifies issues that may arise and cause a project to fail. â€Å"Risk management is the means by which uncertainty is systematically managed to increase the likelihood of meeting project objectives.† (Verzuh, pp. 99, 2012). Project managers need to take the lead when developing and training the team but, also chose wisely when planning, identifying, mitigating, and controlling risk. Risk management is a system of tools used to keep a project on track should problems occur. The following six processes; planning, identifying, performing qualitative and quantitative analysis, responses, and controlling have been identified for managing risk in project management. Risk planning During the planning process, the project team needs to identify probable issues that may arise in the future of the project while, developing a response plan and dedicate needed resources to mitigate issues before the project fails. The team needs to review documents inputs such as the project charter, project plans, assets, and environmental factors. The project team then uses analytic techniques or tools, expert judgment and meetings to develop a risk management plan. â€Å"Risk is always present and spans all parts of the project both external as internal, and therefore it does affect other constraints.† (Wysocki, pps 13-14, 2014). It is also important to note toShow MoreRelatedEssay about Fbi Case Study1297 Words   |  6 PagesSummary 3 Project Overview 3 The key issues related to the failure of the project: 4 Resolution 4 Relevance to IT Project Management: 5 Key Takeaways: 7 Research Approach 7 References 8 Executive Summary: The â€Å"Who Killed the Virtual Case File?† case study is a clear example of project failure which resulted on not only balloon the cost of the project, but also loss that could be counted on millions of dollars. Because of the size of the project and the failure of the project, it isRead MoreRisk Analysis Case Study Synaptic Essay1377 Words   |  6 PagesAnalysis of Risks Introduction: Synaptic is a bio technology company that uses a combination of both Information Management (IM) and biological research to develop drugs based on proteins and peptides. Synaptic is comprised of a large Information Management department which consists of multiple divisions within the department. 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Every project usually performs a unique set of operations which is performedRead MoreAnalyzing The Root Causes Of Risk Mismanagement1506 Words   |  7 PagesAnalyzing the Root Causes of Risk Mismanagement Introduction According to Kendrick (2009, p. 17), roughly 75 percent of projects fail when project teams refuse to adopt some form of risk monitoring and control. Ken Black (1996), an associate professor of decision sciences, published an article listing twelve factors that contribute to the failure of projects. The article highlighted risks, as one of the factors that can negatively affect project constraints (Black, 1996). A risk, as defined by KendrickRead MoreAnalysis Of Project Management Process Group1599 Words   |  7 Pagesthat as each of these processes are being done; it could bring new insights into the project which may require some of the previous created project documents to be updated. 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John Locke’s Influence on United States Government Free Essays

John Locke and American Government John Locke is one of the most influential writers and political philosophers in history. On top of that he is most likely the most influential in the forming of the American constitution. Many of the ideas that Locke had formed were used in the creation of the United States Constitution. We will write a custom essay sample on John Locke’s Influence on United States Government or any similar topic only for you Order Now He left an abundance of thoughts and ideas on human understanding, religion, economics, and politics that still influence the structure, environment, and operation of public administration today. One of Locke’s most noted ideas is his concept of the separation of powers. This concept was the most influential on the structure of American government. The idea behind it was to make sure that no branch of government would attain too much power. This was done through a system of checks and balances in which each branch of government had the power to override another branch in case they did something wrong. The affect this had on American government created the structure that we see today between the Judicial, Legislative, and executive branches. Another one is very well known ideas was the idea of natural rights. The natural rights were rights that every citizen had obtained upon being born. These rights included life, liberty, property, and the pursuit of happiness. Locke had said that these rights should never be able to be taken away by the government. He believed that it was the government’s job to protect these rights of the citizens instead of take them away. Locke had also believed in the consent of the governed. He believed that a group of people could not be governed unless they given consent to the government. Through this he questioned whether monarchy is legitimate if it is not chosen by the people. This led to the idea known as the social contract, in which the government protected the people’s natural rights in exchange for the people’s consent to be governed. John Locke himself had said, â€Å"every man being, as has been should, naturally free, and nothing being able to put himself into subjection to any earthly power, but only his own consent†. John Locke greatly influenced the structure of American government that we have today. Without John Locke and his ideas our government would be completely different and it is possible that the American Revolution would have never happened. How to cite John Locke’s Influence on United States Government, Papers

“Tempest” “Moonlight” Sonata’s a Coupled Analysis free essay sample

Classic Composers: Ludwig van Beethoven â€Å"Tempest† amp; â€Å"Moonlight† Sonata’s: A Coupled Analysis Beethoven’s â€Å"Tempest† and â€Å"Moonlight† sonatas are by themselves sublime pieces to any ear, each encapsulating within their notes such a build up of extreme human emotion, until their 3rd movements wherein which the pressure becomes to much to contain, ultimately resulting in a climax of genuine sentiment. When one interprets the final movements of both sonatas in such a way that the similarities as well as the differences between the two can be acknowledged, one then cannot only better understand the reasons those same movements are able to exemplify such striking affects, but also why the emotion that is instituted by them is individually so contrasting in complexion. Both pieces’ completion dates can be used to accurately mark the â€Å"middle† period, or â€Å"heroic† decade of Beethoven’s career. Their final movements are both written in sonata form, and both utilize the frequent arpeggiation of chords in varying sequences which serve to create a short of emotional tension throughout. We will write a custom essay sample on â€Å"Tempest† â€Å"Moonlight† Sonata’s: a Coupled Analysis or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page However, the specific type of emotion that is portrayed within each movement draws light upon the differences between the two. For instance, the 3rd movement of â€Å"moonlight† seems to explode straight out of the gates. When compared to the pieces second movement, a minuet, the 3rd and final movement seems an abrupt rousing from the contentment felt within the 2nd. Personally, I envision the 1st movement as a period of sparked passion between figures, wherein which a type of connection and perhaps obsession is formed. The extent unto which the figures individually acknowledge this presence of interest is unknown. It is clear that a goal or destination has been set, and throughout the rest of the piece up until the start of the 3rd movement, we witness a struggle for the obtainment of this goal. A sense of an increased emotional attachment can be acknowledged within the 2nd movement, and from the very start of the 3rd movement, the listener gets the sense that the melody is frantically striving towards some uncertain goal. Through the frantic energy and disjointed rhythms, one can connect a sense of unrequited love, which began to formulate within the 1st movement, and has now erupted into feelings of grudging acceptance, and emotional despair. The rest of the movement, through its various up’s and down’s, illustrate the continued pursuit of reaching this unknown destination and the struggle to be liberated from ongoing affliction. Finally, following an emotional climax in which it would seem the sought after goal was briefly reached, the melody quickly spirals downwards, farther below than where it started even, and it is then conveyed that this struggle is one of perpetual force, its conflict unconquerable. In Beethoven’s â€Å"Tempest†, although it does share qualities with â€Å"moonlight† such as its fast, rondo-sonata form, the variance in repeated sequence of chord, and the presence of a very fluid emotional scheme which ends in climax, the emotion that is revealed is very different from that of â€Å"moonlights†. The affect I find most suitable to the 3rd movement of the â€Å"tempest† is an emergence from a swirling waltz, from which exudes a feeling of great optimistic happiness. The formulation of rising hopefulness that has accrued since the 1st movement is seen here, where it is involved in an epic battle through which it struggles to obtain a climax of unbridled spirit and positivity. After much effort, the desired outcome is reached, and at the last, a flurry of flowing notes gives us satisfaction of spirit in that a sanguine attitude has been established and continues to travel in its wake. What should be noted when analyzing both the â€Å"moonlight† and â€Å"tempest† sonatas is the power they have to connect to human experience. Within both pieces one is able to recognize a sense of frenzied pursuit. As to what that pursuit is aimed towards, we know not. However the music of each movement lends us a hand as to the type of emotion that is to be embedded within it. Through the â€Å"tempests† gradual surmount of tempo and power, one can feel the oncoming certainty of joy. Through â€Å"moonlights† numerous peaks of fierce and desperate notes of struggle; one can witness the scene of dejection and disparity that ultimately encompasses the pieces subject. While both works institute relative themes from one another, the emotions they individually portray could not be any farther apart.